“Everything can change”, everything must change
Presented at the Deauville Festival and produced by actress Geena Davis, Tom Donahue’s documentary is devoted to parity in cinema.
Movies
“Swallow”, please don’t swallow.
Special Prize of the Deauville Festival, the film by Carlo Mirabella-Davis is as disturbing as it is aesthetic.
Will we still speak French in 50 years?
Not so sure! English is becoming more and more popular via our screens. Molière bows to Shakespeare.
“The Miracle of the Holy Unknown”, hallelujah!
“It’s both a film about belief, the relationship to faith, and the link between faith and money,” says Alaa Eddine Aljem, the Moroccan director of this endearing fable.
“Les Vétos”, a summer in Morvan
“It’s a subject that has never been tackled,” says Clovis Cornillac, who plays a veterinarian in this charming country fable by Julie Manoukian.
“Notre Dame” as before
It was obviously before the fire that ravaged the cathedral that Valérie Donzelli turned this hectic life of Maud Crayon into one. “I wanted to find something happy again, to reconnect with comedy,” says the actress and director.
“The Bewitched” and their ghosts
In this film with Sara Giraudeau and Nicolas Duvauchelle, Pascal Bonitzer tries an approach towards fantasy cinema.
The “Hidden Life” of a free man
In this superb film, Terrence Malick evokes the fate of Franz Jägerstätter, an Austrian peasant who said no to Nazism.
American St. Nick Story: exceptional screening and meeting with Peter Lion
During the Feast of St. Nicholas, a friendly country is invited to come and share its culture. This year, it is Luxembourg, which in June 2019 included its own Saint-Nicolas celebrations in its Intangible Cultural Heritage.
Violence of a “Sweet Song”
“It’s a thriller of everyday life,” says director Lucie Borleteau, who adapted Leïla Slimani’s book, with Karin Viard as a nanny of “a disturbing strangeness.
Violence of a « Chanson douce »
“It’s a thriller of everyday life,” says director Lucie Borleteau, who adapted Leïla Slimani’s book, … Read more
Glory to Guédiguian!
“If I were completely pessimistic, I wouldn’t make films,” says the filmmaker, who has written a heartbreaking work, “Gloria Mundi”, where two cultures, two generations, the solidarity of the elderly and the selfishness of the youngest collide.