A dozen former jury presidents came to celebrate the Festival's 50th anniversary, including Claude Lelouch, Costa-Gavras, Pierre Lescure, Guillaume Canet, Jean-Jacques Annaud...

A dozen former jury presidents came to celebrate the Festival's 50th anniversary, including Claude Lelouch, Costa-Gavras, Pierre Lescure, Guillaume Canet, Jean-Jacques Annaud...

Once upon a time in America

Films tell the story of the United States at the Deauville American Film Festival, where “In the Summers” was awarded the Grand Prix for the 50th edition, and where Francis Ford Coppola and Natalie Portman received standing ovations in recent days.

Actress Daisy Ridley has found the strength within herself to embody women who are all facing something.

Actress Daisy Ridley has found the strength within herself to embody women who are all facing something.

New Hollywood in Deauville

The American Film Festival showcases many independent films made in the USA, as well as the new stars of today and tomorrow, including this year Sebastian Stan, Daisy Ridley, Mikey Madison, Sean Baker…

Twenty-five years after the tribute to his father Kirk, Michael Douglas received a Lifetime Achievement Award.

Twenty-five years after the tribute to his father Kirk, Michael Douglas received a Lifetime Achievement Award.

Half a century of America at Deauville

The 50th American Film Festival is currently underway in Normandy, where audiences have been able to applaud Michael Douglas at the opening, discover Tim Burton’s “Beetlejuice Beetlejuice”, attend the tribute to filmmaker James Gray… and see or re-see “50 films that changed the way we look at the world”.

Sandra Hüller (who also played the accused woman in "Anatomy of a Fall", Justine Triet's Palme d'Or winner) plays Hedwig Höss, "the Queen of Auschwitz".

Sandra Hüller (who also played the accused woman in "Anatomy of a Fall", Justine Triet's Palme d'Or winner) plays Hedwig Höss, "the Queen of Auschwitz".

“The Zone of Interest”, neighbors of horror

Winner of the Grand Prix at the Cannes Film Festival, Jonathan Glazer’s film demonstrates by example “the banality of evil”, the quiet, carefree daily life of a Nazi family right next to the Auschwitz camp.