« Ma langue au chat », soupçons, secrets et devinettes
“I wanted to talk about people in their fifties and a woman facing this age,” says director Cécile Telerman, who came to present her film at the Rencontres du Cinéma de Gérardmer.
“I wanted to talk about people in their fifties and a woman facing this age,” says director Cécile Telerman, who came to present her film at the Rencontres du Cinéma de Gérardmer.
Four complaints for manslaughter and one for endangering the life of others, that’s a lot for the same establishment. The hospital of Remiremont (88) is in legal turmoil. And this is perhaps only the beginning.
Shot in the region of Gérardmer, Anne Le Ny directed a film “100% Vosges”, with José Garcia and André Dussolier. “I needed the mountains,” says the actress and director.
The Lorraine author will present his new novel “Le Souffle d’Ange” (ed. Presses de la Cité) at the 44ᵉ edition of the Livre sur la Place, September 9, 10 and 11, 2022 in Nancy. He tells us why and how he writes. Interview.
Kieron J.Walsh takes us into the peloton of the 1998 Tour de France, with a rider at the end of his career.
Javier Bardem plays a cynical boss in “El Buen Patron”, a delightful tragicomedy by Fernando Leon de Aranoa, a success in Spanish cinema.
The actor-director plays a kind of “Forrest Gump,” a kind man who fades away, and exposes “a way of looking at life” in his film “It’s Beautiful !”
The actress-director wanted to “take a feminine look” at guys with “Men on the verge of a nervous breakdown”, a tender and benevolent group comedy.
“I still have two films to make”, confided the filmmaker at the Rencontres du Cinéma de Gérardmer. This time he is the filmmaker filmed by Philippe Azoulay, who has dedicated a documentary to him, “Tourner pour vivre”.
“It’s a film that brings together all my passions,” confides MB 14, who plays a young rapper with a talent for operatic singing. “Our reference is Billy Elliot,” adds director Claude Zidi Jr.
A courtroom film, Marco Kreuzpainter is a gripping tale of post-war Germany and the failed denazification.
“This is not a film about #MeToo,” assures actress-director Monia Chokri, who shot a modern, offbeat tale, dealing with male-female relationships with humor.