“Cut!”, you won’t cut it!
Presented at the opening of the Cannes Film Festival, Michel Hazanavicius’ film is a funny gore, fake zombie movie and real comedy.
Presented at the opening of the Cannes Film Festival, Michel Hazanavicius’ film is a funny gore, fake zombie movie and real comedy.
Japanese filmmaker Kôji Fukada has conceived “a love drama in two parts”, a sentimental chase in episodes.
“I still have two films to make”, confided the filmmaker at the Rencontres du Cinéma de Gérardmer. This time he is the filmmaker filmed by Philippe Azoulay, who has dedicated a documentary to him, “Tourner pour vivre”.
The music is as light as the content in this whimsical comedy, directed by Eve Deboise.
A chronicle of the 1980s, this film by Mikhaël Hers, starring Charlotte Gainsbourg, is an intimate and lengthy tale.
“It’s a film that brings together all my passions,” confides MB 14, who plays a young rapper with a talent for operatic singing. “Our reference is Billy Elliot,” adds director Claude Zidi Jr.
A courtroom film, Marco Kreuzpainter is a gripping tale of post-war Germany and the failed denazification.
“This is not a film about #MeToo,” assures actress-director Monia Chokri, who shot a modern, offbeat tale, dealing with male-female relationships with humor.
Shot in the Morvan countryside, this film by Arnaud Malherbe is a fantastic tale, between fantasies and nocturnal fears.
“It’s a cynical purchase of interest,” says Edwy Plenel, director of Mediapart, who co-produced the documentary “Media Crash.
After two cancellations, the Rencontres du Cinéma are back in the Vosges, where Clovis Cornillac, Claude Lelouch, Audrey Dana… and Anne Le Ny for her film shot in the region, “Le Torrent”, will be welcomed (from April 5 to 8).
Restored, Max Ophuls’ film is a true old-fashioned melo, elegant and melancholic.