“The Miracle of the Holy Unknown”, hallelujah!
“It’s both a film about belief, the relationship to faith, and the link between faith and money,” says Alaa Eddine Aljem, the Moroccan director of this endearing fable.
“It’s both a film about belief, the relationship to faith, and the link between faith and money,” says Alaa Eddine Aljem, the Moroccan director of this endearing fable.
In these times of Saint Nicholas and Christmas, the city of Metz and the bishopric of Moselle are celebrating the 800th anniversary of the cathedral. A year of fabulous shows, concerts, conferences and religious celebrations to pay tribute to the builders.
“It’s a subject that has never been tackled,” says Clovis Cornillac, who plays a veterinarian in this charming country fable by Julie Manoukian.
After the exhibition at the Futuroscope of Poitiers on the odyssey of Bertrand Piccard with his plane Solar Impulse and Alain Thiébault with his Hydroptère, the photojournalist Francis Demange and the editor Hervé Bonnot publish a book at the Editions de la Martinière.
It was obviously before the fire that ravaged the cathedral that Valérie Donzelli turned this hectic life of Maud Crayon into one. “I wanted to find something happy again, to reconnect with comedy,” says the actress and director.
The rap group born in Lorraine has just released its first album entitled Esperluette and gives concerts all over France.
The comedian will take to the stage at L’Olympia in Paris, from where his show will be broadcast live on Monday, December 16, in 183 cinemas in France and Belgium.
In this film with Sara Giraudeau and Nicolas Duvauchelle, Pascal Bonitzer tries an approach towards fantasy cinema.
In this superb film, Terrence Malick evokes the fate of Franz Jägerstätter, an Austrian peasant who said no to Nazism.
The Nancy Municipal Archives has just made a new series of civil status registers available to Internet users.
During the Feast of St. Nicholas, a friendly country is invited to come and share its culture. This year, it is Luxembourg, which in June 2019 included its own Saint-Nicolas celebrations in its Intangible Cultural Heritage.
“It’s a thriller of everyday life,” says director Lucie Borleteau, who adapted Leïla Slimani’s book, with Karin Viard as a nanny of “a disturbing strangeness.